<iframe src="//www.googletagmanager.com/ns.html?id=GTM-PTT6ZS" height="0" width="0" style="display:none;visibility:hidden"></iframe> Whitney Museum of American Art: Janine Antoni: Mortar and Pestle
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Janine Antoni

Mortar and Pestle

1999

Artist

Janine Antoni (1964-)

Title

Mortar and Pestle

Date

1999

Medium

Chromogenic print

Dimensions

Overall: 47 15/16 × 47 15/16 × 1 5/8 in. (121.8 × 121.8 × 4.1 cm)

Edition information

Edition of 10

Credit line

Whitney Museum of American Art, New York; Purchase, with funds from Joanne Leonhardt Cassullo and The Dorothea L. Leonhardt Fund at The Communities Foundation of Texas, Inc.

Accession number

99.53

Object Label

Janine Antoni’s Mortar and Pestle is a confrontational work in which the artist wanted to capture the sense of something “a little closer than intimate.” It is difficult to look casually at the close-up photograph of Antoni’s tongue (the pestle) being thrust into her husband’s open eye (the mortar)—an effect that is amplified by the image’s size. Indeed, Antoni enlarged the photograph to a scale of 4 by 4 feet, which exaggerates the minute details of skin, hair, and orifices. With its unflinching view of a close physical encounter, Mortar and Pestle probes the nature of relationships. Normally, the human eye instinctively blinks shut to ward off foreign objects, to protect sensitive tissue from harm. The open eye, then, marks a repudiation of such defense mechanisms; it also serves a metaphorical function, signaling a willingness to surrender one’s vulnerability to another. Though Mortar and Pestle may initially provoke an uneasy response, it ultimately appears to be a celebration of trust and intimacy.