<iframe src="//www.googletagmanager.com/ns.html?id=GTM-PTT6ZS" height="0" width="0" style="display:none;visibility:hidden"></iframe> Whitney Museum of American Art: Peter Saul: Saigon
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Peter Saul




Peter Saul (1934-)






Acrylic, oil, enamel, and fiber-tipped pen on canvas


Overall: 93 1/4 × 142 1/4 in. (236.9 × 361.3 cm)

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Whitney Museum of American Art, New York; Purchase, with funds from the Friends of the Whitney Museum of American Art

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At first glance, the Day-Glo palette, lively composition, and exaggerated figures of Peter Saul’s Saigon seem cartoon-like, even whimsical. But the painting offers a biting critique of American policy during the Vietnam War. In a war-torn environment that includes uprooted palm trees, a river of blood, and a spiked American bomb, Saul depicts a voluptuous Vietnamese girl who has been trussed and labeled “Innocent Virgin.” A couple of American GIs are shown drinking Coca-Cola as they rape, dismember, and torture the girl’s family. The chaos is heightened by Saul’s rendering of the figures, including a headless, three-star officer in blue, two blasted Vietcong guerillas, and a nightmarish profusion of body parts. In the canvas’s lower corners, old-fashioned Oriental-style letters spell out “White Boys Torturing and Raping the People of Saigon: High Class Version”—emphasizing Saul’s condemnation of the war’s hypocrisies.

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