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Paul Thek

Untitled from the series Technological Reliquaries

1966

Artist

Paul Thek (1933-1988)

Title

Untitled from the series Technological Reliquaries

Date

1966

Medium

Wax, paint, polymer resin, nylon monofilament, wire, plaster, plywood, melamine laminate, rhodium-plated bronze, and acrylic

Dimensions

Overall: 14 × 15 1/16 × 7 1/2 in. (35.6 × 38.3 × 19.1 cm)

Credit line

Whitney Museum of American Art, New York; Purchase, with funds from the Painting and Sculpture Committee

Accession number

93.14

Object Label

This untitled work is from a group of sculptures that Paul Thek termed Technological Reliquaries, or “meat pieces.” In Catholic tradition—which Thek drew on frequently—reliquaries are sculptural containers intended to contain relics of the saints, often parts of their bodies. Thek responded to that tradition by creating Plexiglas boxes filled with naturalistic beeswax replicas of hunks of meat and body parts. In Untitled (1966), a replica of a severed limb oozes a fatty, marrow-like substance from its hollow opening. Short “hair” follicles spring from its waxy “skin.” Longer lengths of hair-like threads extend through holes at the top and side of the yellow-tinted Plexiglas case—a cross between a vitrine and an incubator—that is set on a Formica and plated bronze base. Discussing the unnerving juxtaposition between the boxes and their contents, Thek remarked: “inside the glittery, swanky cases. . .Formica and glass and plastic—was something very unpleasant, very frightening, and looking absolutely real. . .the hottest subject known to man—the human body.” For Thek, this grotesque assemblage of organic and inorganic forms involved a response to the carnage of the Vietnam War, and an expression of fear that the scientific technology which fueled the war would suppress the human spirit.

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